For many years, nearly all the videos you’ve seen embedded on my website have been Quicktime videos in file formats such as MP4, MOV, and M4V. I’ve used Quicktime embed code on occasion, but usually I simply link to the video files so you can click on them and watch them in your browser. I did this even when most other websites embedded Flash video files, and clearly Flash was becoming the new standard.

My reason for this has been that I’ve much preferred the quality of Quicktime files over the quality of Flash files. To my eyes, Flash videos were unbearably low quality and difficult to watch. And one of the biggest problems has been the video-sharing services like YouTube. When you upload a video to their service, they control the transcoding process, so you give up your control over quality.

Everything has recently changed. My concerns are gone because Flash now has the ability to play videos encoded with the H.264 codec. This is huge! H.264 gives you the ability to produce high quality videos with a relatively low file size. This codec is the one I use with all of the videos I distribute over the web.

In this week’s installment of Izzy Video, I demonstrate how to create a high quality FLV file (which is a Flash file format that’s excellent for playing on the web). I also demonstrate how to embed it into your website. If you’ve been wanting to embed high quality videos in your website, this episode is a must-see.

Update: I should have mentioned in the video that Don Wigington from www.epikos.net told me about the very useful trick of changing the file extension from MP4 to FLV. Thanks, Don, for the pointer!

This week’s tutorial is available to Izzy Video Members only.

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You can download the Quicktime version of the trailer here.

Who says that video production can’t be a family activity?

I get requests for Motion tutorials all the time, and it’s been a while since I’ve released one, so I thought we’d have a little fun in this week’s episode. In this installment of Izzy Video, I demonstrate the steps you take in Motion to turn a face into a monster’s face. The technique uses motion tracking and keyframed filters. I hope you have as much fun with this technique as we did.

You can download the video here.

Many times when you’re shooting video outdoors, you compromise on your exposure because of the high contrast range of the sunny outdoors, and the limited contrast range of your video camera. The video clip I use in this episode of Izzy Video is a perfect example of this type of compromise. Luckily, you can improve the imagery in post production, and in this video, I show you one way to do it. It’s a technique I call faking a graduated ND filter. It’s pretty simple, but it can have a big impact.

This installment of Izzy Video is for members only. To learn more about how an Izzy Video membership works, please visit this page.

I have received many, many emails asking me to please describe my process of archiving and backing up video files. I think people are starting to feel the pains associated with shooting tapeless. You end up with a lot of data and very few places to put it.

And how do you take precautions to prevent data loss?

This installment of Izzy Video will show you my personal process. While there are many different ways you could do this, my system works for me. In the video you’ll see the tools I use, and how I use them.

Here are links to some of the items I discuss in the video:

• Drobo
• Dual Drive Adapter
• Wiebetech DriveBox 10 pack
• SuperDuper

This installment of Izzy Video is available to members only. Members get more. A lot more.

This episode answers an email I received asking me to demonstrate how to create this effect. I use Final Cut Pro in this video, but you could just as easily do it in Final Cut Express, or any video editing application that allows you to have multiple video tracks.

Also, as promised, here’s the link to the LCD font I used in the video.

This video is for members only. Members get more. A lot more.

This week’s video does a couple things. It promotes my new course, Learn Final Cut Pro 6: The Izzy Video Guide for Beginners. Also the video answers a question that viewers frequently ask me: “What is your process for exporting video for the web?”

I covered the subject a while back, but my process has changed a bit since then, so it’s a good time to update you.

As I mention in the video, this free version is much smaller than the ones available as part of my Final Cut Pro course. My course offers both HD videos at 1280×800 and Small videos at 960×600, so viewers can see everything that I’m doing on the screen.

I’m really excited about this new course. It took a long time, but I’m very happy with it. I believe it’s a great way for someone new to Final Cut Pro to learn the fundamentals of the app. I’ve already started receiving feedback from people who signed up for it yesterday right after I launched it. The feedback has been quite positive so far, and of course, I’m delighted about that!

By the way, if you’re an Izzy Video Member, then you get $20 off the price of the course. Simply login to the members area and you’ll find a coupon code. If you’re not a Member, and you’re interested in learning Final Cut Pro, this is a great time to become a Member.

You can download this video here.

Finally, if you have additional recommendations regarding outputting video for the web after watching the video, please post any comments here. I’d love to read additional strategies.

Of course, you can leave any comment you want. It doesn’t have to be an exporting strategy.

There are so many magical things that can happen in post-production, and this week’s episode is another example of that. I demonstrate how to apply an effect called Skin Smoothing to make your video subject’s skin tones smoother. This process can smooth the little bumps, freckles, and blemishes that are part of everyday skin to make a person’s skin look nearly flawless.

This video is for members only. If you would like to learn more about an Izzy Video Membership, please visit this page.

Still photos can be powerful additions to your video, and adding movement to the photos can take them to the next level. Today’s episode shows you how to take the movement even further, by using an effect called 2.5D (two-and-a-half dimensions). In this tutorial, I demonstrate how to create the effect using a combination of Photoshop and Motion, but you could just as easily do it in Photoshop and After Effects, or even other software combinations.

The effect is difficult to describe. It’s subtle, and the best way to understand 2.5D is just to see it in action.

You can watch the video here.

As always, the paid members can download an HD version of this video in the member’s area. To learn more about becoming an Izzy Video Member, please visit the membership information page.

Please leave feedback and questions regarding this Izzy Video tutorial right here in the comments.

What do you do when someone wanders into your image, and you don’t have permission to include them in your video? You could try to track them down to get their permission. Or, you could try to use their image anyway (exposing yourself to risk), or you could blur their face. Most editors choose to blur the person’s face. It’s less time-consuming than the other options.

This is an easy effect to create in Final Cut Pro, as long as the subject stays still. Once the person with the blurred face starts moving, things get a LOT more difficult.

In this installment of Izzy Video I show you how to blur a person’s face in Final Cut Pro, and then I show you the easy way to make sure it stays over a moving face inside of Motion.

Very useful information for an editor. It’s an effect you tend to use frequently.

This week’s episode is for the members. If you want to learn more about an Izzy Video Membership, please visit this page.

What else is going on?

I’ve been trying to decide what I should do with all of these great links you send me via email, in the forums, or on twitter. I get so many of them throughout the week that I thought I’d post a few of them right here:

• An DIY project for a soft panel. Sure, it’s for still photography, but it would be simple to revise for a video light. Give it a try if you’d like. Just remember, Safety First!
• Greg Brown posted a video of himself working his new jib behind the scenes. In some ways, I find it more interesting than the final result.
• A free transition plugin for Final Cut Pro that creates a flash of light between video clips.
• Tim Seley and Patrick Largen posted one of the most visually entertaining songs I’ve seen. You’ll see what I mean when you watch/listen to it.

Do you have more interesting video links you’d like me to see? Please post them in the forums so everyone can see.

The Short Film Competition Is Still Going Strong

You’re running out of time! If you’d like to enter a short film into the competition, head over to PubFilms and get it uploaded. The grand prize includes a trip to Arizona for a couple days with me.

I suppose this post was more like a miniature newsletter than a blog post. Hmm… I guess there’s nothing wrong with that.

Anyway, thanks for watching and reading! That’s it for this week. I’ll see you next time on Izzy Video!