About Israel Hyman

On the web, people call me Izzy.

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April 30, 2008

Izzy Video 86 - Tips on Exporting

izzyvideo86

I frequently get questions regarding tips on exporting. Contained in this installment of Izzy Video are two of my biggest tips. They will make your life a lot easier (at least when it comes to exporting video).

This episode is available in iPod/iPhone format and in a higher quality version.

* This installment of Izzy Video is available to premium subscribers only. If you’d like to watch it, please visit the membership information page to see how you can become a member.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

March 16, 2008

Izzy Video 82 - Keyframes

izzyvideo82

This installment of Izzy Video introduces the concept of Keyframes inside of Final Cut Pro. Although Final Cut Pro isn’t built around animating video, it has plenty of functionality. If you’d like to animate video clips, objects, or text, then this tutorial should be helpful in getting you started.

This episode is available in iPod/iPhone format and in High Definition.

* This installment of Izzy Video is available to premium subscribers only. If you’d like to watch it, please visit the membership information page to see how you can become a member.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

September 25, 2007

Izzy Video 64 - Channel Mixing

izzyvideo64

This week on Izzy Video, I demonstrate an interesting effect using the channel mixer filter in Final Cut Pro.

Thanks to Alex Lindsay from Pixelcorps for showing the effect on a recent episode of DL.tv.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

May 31, 2007

I received my Final Cut Studio 2.0 Upgrade!

It looks like I’m going to have a fun weekend exploring all of its new features!

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

April 1, 2007

Izzy Video 54 - Travel Matte - Luma

izzyvideo54

Travel Matte - Luma is a compositing tool built into Final Cut Pro. You can use it to create custom mattes in specific shapes. In this video, I show how to use it to blur out a subject’s face. I chose this topic because it’s one of the more obscure tools in Final Cut Pro, and I haven’t seen many tutorials on the subject.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

February 4, 2007

Izzy Video 52 - Focus Using Blur

izzyvideo52

I’m focusing more on the creative side of video in this new installment of Izzy Video.

You can use a Gaussian Blur in a number of ways, but my purpose in this video podcast is simply to expose you to some new possibilities. It’s a brief Izzy Video because I’m just throwing out some ideas. In the future, I’ll show how to create the effect.

How do you use a Guassian Blur? Let me know in the comments…

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

January 14, 2007

Izzy Video 51 - Louder Audio

izzyvideo51

Many of the videos I watch on the web are too quiet. I think that’s because new producers tend to spend more time on editing video and not their audio.

There are many things that can make your audio sound better. One of them is simply making it louder. I like to use the Adaptive Limiter in Soundtrack Pro to increase the volume of my audio without clipping. How do you use the Adaptive Limiter? Just watch this installment of Izzy Video, and I’ll show you.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

December 17, 2006

Izzy Video 50 - Time Remapping

izzyvideo50

Would you like to know how to use the Time Remap tool in Final Cut Pro?

My guess is that other video editors have a similar tool, but I don’t know. It’s certainly quite useful, but there isn’t a lot of documentation on the web about the Time Remap Tool, so I thought I’d offer a basic introduction.

You can create some really clever effects using the Time Remap tool. I frequently see it used in car commercials and extreme sporting footage. With the Time Remap Tool, you can do variable speed changes in your video, and in Izzy Video 50, I show you the basics of how to do it.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

November 4, 2006

Izzy Video 46 - Pleasantville Effect, The Much Smaller Version

izzyvideo46

I received an overwhelming audience request to post small versions of all the videos, so I’m doing just that.

This is Izzy Video 46, only much smaller.

The text from the original post went like this:

Time for another screencast. I had someone ask me this week how to do the “Pleasantville Effect” in Final Cut Pro. This installment of Izzy Video shows you exactly how to do it.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

October 22, 2006

Izzy Video 47 - Fit to Fill

izzyvideo47

Because my camera is broken, I have no choice but to do more screen casts.

This installment of Izzy Video is for newcomers to Final Cut. In it, I show you how to use the “Fit to Fill” editing option. It’s extremely useful for timing video to music.

Please pardon the technical problems. There are a couple of audio and video glitches in this Izzy Video which I couldn’t get rid of. I believe it might have been a bug in the software I used to get the screen movies, Snapz Pro X from Ambrosia software. Usually it works great, so I’m not sure if I did something wrong. However, if I wait until everything’s perfect, I might never get this out!

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

October 8, 2006

Izzy Video 46 - The Pleasantville Effect

Time for another screencast. I had someone ask me this week how to do the “Pleasantville Effect” in Final Cut Pro. This installment of Izzy Video shows you exactly how to do it.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

August 13, 2006

Izzy Video 41 - Single Frame Animation

izzyvideo41

In this installment of Izzy Video, I demonstrate how to do single frame animation. It’s easy to do, and if you have children (like I do), you might want to get them involved. They’ll love it too.

The editor I use is Final Cut Pro, but you could just as easily use iMovie or any other video editor that allows you to import digital photos.

As always, thanks for watching!

Update –

Within a couple hours of when I posted today’s installment of Izzy Video, I received this great email from Dave Morrison. Dave, thanks for the helpful tip!

Hi Izzy,

I’ve really enjoyed your video tutorials over the last few months. I REALLY
enjoyed tonight’s offering about single-frame animation because I can
finally contribute back to you! There’s a MUCH easier way to do this
operation and you already have the necessary software.

Here’s all you do:

1. shoot all your still-frame images in just the manner you described
2. put them all in one folder
3. open Quicktime Player Pro.
4. go to the pulldown for Open > Image sequence
5. point it to the folder where the images are contained
6. pick whatever frame rate you desire
7. sit back and enjoy your movie

I’ve used this for a multitude of timelapse projects and it works great. If
you’re into a more “long form” video, here’s a site where they describe a
fairly inexpensive intervalometer that you can get to capture images at any
rate you want:

http://www.digitalsecrets.net/secrets/Accessory.html

have fun,
dave morrison
st. pete, fl

Additional update:

Another time-saving strategy, this time from Ryan, who writes:

Izzy,

Good podcast, just a few shortcuts for if you are doing stop-motion (single frame) animation in FCP:

1) You can change the default still/freze frame duration in the USER PREFERENCES to be 1 or 2 frames (or any duration) so that when you add the images to your project, FCP automatically assigns them all the same 1-frame duration. (note: you must change this setting BEFORE importing the imgages into FCP)

2) Since digital photo cameras number the photos filenames sequentially, you can just select all the photos from the browser and drag them into the timeline. It will order the photos numerically according to the filename, so it will add them all in the timeline at once, and in the correct order.

Thanks for the great Podcasts!! Keep up the great work!!

-Ryan

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

July 31, 2006

A Little Slow Motion Q&A

Viewer, Jonathan Scruggs, left a comment on Izzy Video 39. My thinking is that several people might be wondering the same thing, so I’m posting the question and answer here.

Jonathan writes:

I realize this is a little off topic but i had a question about slow motion. when you shoot at high frame rates the picture at normal speed looks jittery and strobe-like, and when you slow down video shot at normal frame rates the picture doesn’t look very smooth. logically, a newbie like me would think that if you shoot at a higher frame rate you would get smoother more cinematic slow motion. am i on the right track?

By the way, Jonathan clarifies in a follow up comment that he intended to say “shutter speed” instead of “frame rate.”

Well, the answer to your question is…it depends.

Slow motion with video is complicated for several reasons:

With video, we have no control over the frame rate, so the normal method of shooting more frames (like we would do with a film movie camera, for instance) is not an option. We can’t shoot real slow motion, so we have to fake it.

What do I mean by fake it? We shoot at a normal frame rate of roughly 30 frames per second, and then let our computer create the additional frames to put between the original ones. It does this by blending the images on the original frames.

Now here’s where the problem comes in. Because normal video is interlaced, when we slow it down or create a freeze frame, and view it on a television, we frequently end up with a “flicker” because televisions display the video in interlaced format.

Strobing can also happen when you use a fast shutter speed because the original images are less blurred to begin with. Sometimes we want more motion blur.

I recommend the following three steps to improve slow motion video results:

  1. Shoot in progressive mode. This is the opposite of interlaced video. If your camera doesn’t have progressive (also sometimes called “Frame Mode” such as on my Canon GL2), then shoot regular interlaced video and apply a “de-interlace” video filter later in your editing software. This will have a similar effect.
  2. Shoot at a normal shutter speed (1/60 of a second). I’ve personally had the best results by doing this, but it does depend on the how I’m going to use the slow motion. If I need to see my child’s fingers perfectly in a football game, for example, then I should probably speed up with shutter speed so there is less “motion blur.”

    Usually though, I like motion blur in the original frames, because later when the computer generates the filler frames to go between the original ones, the new frames will be blended images of the original blurred images. The overall effect appears smoother and less “strobe-like”. In my opinion, having a good amount of natural motion blur in the original footage helps produce smoother slow motion later.

  3. Apply a de-flicker or de-strobe filter to the video within your editing software, so when you play the video on your television, you won’t have that annoying flickering effect in the freeze frames or slow motion parts.

Using all of these techniques in combination should yield improved slow motion video. However, keep in mind that with a fixed frame rate, slow motion will never look as good as film.

Think Gatorade commercial, and you’ll know what I’m talking about here.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

July 30, 2006

Izzy Video 39 - Exporting for the Web

izzyvideo39

I appreciate it when Izzy Video audience members leave comments here on the website, because it frequently gives me ideas for future installments. Thanks to everyone who asked about exporting video for the web.

I will very soon return to videography as a subject. I wanted to do that today, but the rain outside prevented me from covering the subject I had originally intended to do. We rarely get rain in Arizona!

Today’s Izzy Video picks up where last week’s leaves off. Once I have the video, how do I best export it for the web? I have experimented with many settings, and this is the one I like the best. There are many ways to do this. What you’ll see in this installment, is just one way.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

July 8, 2006

Izzy Video 37 - Machinima

izzyvideo37

Izzy Video 37 is a quick introduction to machinima. If you don’t know what machinima is, don’t worry. You’re not alone. It’s pretty cutting-edge stuff right now. For film-makers it offers the chance to have a moving story-board. Or you can create your whole film there.

See what I’m talking about in Izzy Video 37.

I used my favorite Brother Love song again in this podcast, courtesy of music.podshow.com.

I know Izzy Video 37 isn’t going to be for everyone, but I’m sure some of you might be interested in creating narratives in this virtual world. To those of you who hate this one, I apologize, but I have to stray from the mainstream every once in a while.
:-)

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

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