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Video Lighting in Small Spaces

May 7, 2012

Do you want high quality video lighting, but you’re limited to a small space?

This is a very common struggle for video shooters. A formal studio can be expensive to rent (or build). Also it can be inconvenient because it requires you to travel to it and maybe schedule it ahead of time.

If you’re like a lot of people, you might want to set up some lights in your house and shoot video where it’s inexpensive and convenient — right in the comfort of your own home.

But how can you create high quality lighting in a small space?

It’s simple if you use the right techniques and equipment.

Here’s how…

(By the way, for this example, I’m assuming you want to have a highly dramatic lighting style that doesn’t require many lights or much space. This is a common look for talking-head style shots. And it doesn’t cost a lot because you’re using only one light source.)

Control Spill Light

Spill light is the extra light that goes places you don’t want it to go. It “spills” onto other things in the image.

A common example of this is when you want a black background, but light accidentally gets on the background, so it doesn’t appear black. Instead it appears dark gray.

When you want an endless black background, you need to keep the light off the background fabric.

How do you do that?

If you’re using a soft box for your main light (key light), then you can insert an eggcrate to help direct the light forward. This reduces spill light dramatically.

Also, you might want to consider lighting more from the side of your subject, so you’re not aiming as much toward the background.

The background material can have an impact too. I find that black background paper is too reflective, so I like to use a black fabric as the background in my video. It absorbs more light, so it’s easier to make it go completely black.

Finally, try to distance your subject as far from the background as possible. I realize this might be a challenge because of limited space, but even if it’s only a few feet, that can make a big difference.

Dramatic Lighting

If you want drama in your lighting, then you can use subtractive lighting (also sometimes called “negative fill”) to keep light from getting into the shadows on the fill side of the face.

I like to use a black flag for this. It’s basically another piece of black fabric on a wire frame, and I place it right outside of the video image.

The flag blocks light from getting into the shadows.

With deep black shadows on one side of the face, and a nice brightly exposed area on the other side of the face — you now have highly dramatic lighting because of the contrast ratio.

Not only can this look have a big impact, but it doesn’t require much equipment or space to work in.

Can you set up other lighting styles in a small space? Of course you can, but my goal here is to just share this one example.

Takeaways

  1. Use an eggcrate to control spill light from a softbox.
  2. Move the main light source to the side to help prevent light from spilling onto the background.
  3. Use black fabric instead of paper as the background because it’s less reflective.
  4. Get distance between the subject and the background, because it will be easier to reduce spill light.
  5. Use a black flag on the fill side to create darker shadows for a high contrast, dramatic look.

About the Author: I'm Izzy Hyman, and I specialize in making video simple and easy to understand. Check out my free video tutorials or join thousands of people as an Izzy Video Member.

Get immediate access to more than 200 video training tutorials (including more than 15 specifically about video lighting). You can access them right now inside the members area. Learn more now!
Filed under: Video Lighting — Izzy @ 10:36 am

The Close-Up – Izzy Video 210

April 25, 2012

Izzy Video 210

The close-up is the most important shot to master. Whether you’re shooting cine-style video, corporate video, family video, or really any kind of video.

In this new tutorial, I’ll show you:

  • Several different types of close-ups, along with their names and how you can frame for them
  • Tips on when you might use them
  • Extra techniques along the way

I hope you find it helpful!

This video is for Izzy Video Members only. If you’re not yet an Izzy Video Member, click here to learn about a membership.

Filed under: Members-Only — Izzy @ 8:01 am

The Ken Burns Effect in Final Cut Pro X – Izzy Video 209

April 12, 2012

Izzy Video 209

Ready for another in-depth Final Cut Pro X tutorial video?

This one digs deep into using the Ken Burns effect to add motion to photos. It’s easier than ever to do this because of the built-in tools inside Final Cut Pro X.

And since so many people make photo slideshows (also sometimes called photo montages) inside of Final Cut Pro X, I thought this one would be helpful.

In this video, I’ll show you:

  • The basics of how to add and adjust the Ken Burns effect
  • Time-saving tips that really speed up the workflow
  • Extra hidden tips that aren’t included in the help manual (and that many people don’t know about)

It’s more than 10 minutes of solid training around this topic. I hope you find it helpful!

This video is for Izzy Video Members only. If you’re not yet an Izzy Video Member, click here to learn about a membership.

By the way, this is the 12th video about Final Cut Pro X that I’ve posted in the member’s area. If you’ve already seen my original Final Cut Pro X training, but you still want to learn more, you should check out an Izzy Video Membership too.

Filed under: Final Cut Pro X — Izzy @ 7:31 am

Create Still Images in Final Cut Pro X – Izzy Video 208

March 28, 2012

Izzy Video 208

Here’s a Final Cut Pro X tutorial video you might find helpful…

Once again it’s based on a common question I get about still frames and photos.

Some of the things I demonstrate in this new video:

  • How to create a still frame
  • How to create a still image (different thing)
  • How to create custom keyboard shortcuts to speed up your workflow
  • How to change the duration of a photo in the timeline
  • How to change the default duration of photos you import

Yeah, there’s lots of stuff in there.

Once again I do my best to demonstrate these concepts in a way that’s
educational and (hopefully) entertaining.

I hope you find it helpful!

This video is for Izzy Video Members only. If you’re not yet an Izzy Video
Member, click here to learn about a membership.

Filed under: Final Cut Pro X — Izzy @ 10:07 am

Behind-the-Scenes of “Within”, Part One: Breaking Down a Low-Angle Camera Move – Izzy Video 207

March 21, 2012

Izzy Video 207

I’ve received several requests for behind-the-scenes looks at projects I work on. So for this new video, I’m doing just that.

The project is a short film called “Within”, and this video breaks down a specific shot.

Get answers to questions like these:

  • What are some options for moving the camera during the shot? (And which option do I prefer?)
  • What are some tips for setting up a moving shot?
  • How did we solve an unexpected problem?

If you’re interested in moving the camera, or you’re interested in fun video equipment, I think you’ll like this new episode.

Enjoy!

This is a members-only video. If you’re not already a member, you can learn about a membership here.

Filed under: Digital Cinematography — Izzy @ 9:00 am
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