About Israel Hyman

On the web, people call me Izzy.

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July 31, 2006

Notes Like This

Well, they blow me away. I received this in my email today.

Dear Izzy,

Thanks so much for what you do for organizations like ours that rely on the goodness of mankind. I sent this vote for you to Podcast Alley:

Big Cat Rescue is provides lifetime care to more than 100 lions, tigers, leopards, bobcats and 16 species of wild cats. Izzy makes it possible for us to provide top quality PodCats. His tutorials are helpful, inspiring and just what we need to know to reach our many visitors. Our website gets more than 1,000,000 hits per day so it is extremely important that we be on the leading edge of this technology. Thanks Izzy and thanks Podcast Alley for recognizing such talented contributors.

Carole Baskin, Founder and CEO of Big Cat Rescue
12802 Easy Street Tampa, FL 33625 813.920.4130
www.BigCatRescue.org

Keep up the good work and know that you are helping thousands of big cats around the world by helping us get their story out in an entertaining and compelling way.

For the cats,

Carole Baskin, Founder of Big Cat Rescue
12802 Easy Street
Tampa, FL 33625 MakeADifference@BigCatRescue.org

Thank you for the note, Carole! I never would have guessed that Izzy Video would be helping in this fashion.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

A Little Slow Motion Q&A

Viewer, Jonathan Scruggs, left a comment on Izzy Video 39. My thinking is that several people might be wondering the same thing, so I’m posting the question and answer here.

Jonathan writes:

I realize this is a little off topic but i had a question about slow motion. when you shoot at high frame rates the picture at normal speed looks jittery and strobe-like, and when you slow down video shot at normal frame rates the picture doesn’t look very smooth. logically, a newbie like me would think that if you shoot at a higher frame rate you would get smoother more cinematic slow motion. am i on the right track?

By the way, Jonathan clarifies in a follow up comment that he intended to say “shutter speed” instead of “frame rate.”

Well, the answer to your question is…it depends.

Slow motion with video is complicated for several reasons:

With video, we have no control over the frame rate, so the normal method of shooting more frames (like we would do with a film movie camera, for instance) is not an option. We can’t shoot real slow motion, so we have to fake it.

What do I mean by fake it? We shoot at a normal frame rate of roughly 30 frames per second, and then let our computer create the additional frames to put between the original ones. It does this by blending the images on the original frames.

Now here’s where the problem comes in. Because normal video is interlaced, when we slow it down or create a freeze frame, and view it on a television, we frequently end up with a “flicker” because televisions display the video in interlaced format.

Strobing can also happen when you use a fast shutter speed because the original images are less blurred to begin with. Sometimes we want more motion blur.

I recommend the following three steps to improve slow motion video results:

  1. Shoot in progressive mode. This is the opposite of interlaced video. If your camera doesn’t have progressive (also sometimes called “Frame Mode” such as on my Canon GL2), then shoot regular interlaced video and apply a “de-interlace” video filter later in your editing software. This will have a similar effect.
  2. Shoot at a normal shutter speed (1/60 of a second). I’ve personally had the best results by doing this, but it does depend on the how I’m going to use the slow motion. If I need to see my child’s fingers perfectly in a football game, for example, then I should probably speed up with shutter speed so there is less “motion blur.”

    Usually though, I like motion blur in the original frames, because later when the computer generates the filler frames to go between the original ones, the new frames will be blended images of the original blurred images. The overall effect appears smoother and less “strobe-like”. In my opinion, having a good amount of natural motion blur in the original footage helps produce smoother slow motion later.

  3. Apply a de-flicker or de-strobe filter to the video within your editing software, so when you play the video on your television, you won’t have that annoying flickering effect in the freeze frames or slow motion parts.

Using all of these techniques in combination should yield improved slow motion video. However, keep in mind that with a fixed frame rate, slow motion will never look as good as film.

Think Gatorade commercial, and you’ll know what I’m talking about here.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

July 30, 2006

Izzy Video 39 - Exporting for the Web

izzyvideo39

I appreciate it when Izzy Video audience members leave comments here on the website, because it frequently gives me ideas for future installments. Thanks to everyone who asked about exporting video for the web.

I will very soon return to videography as a subject. I wanted to do that today, but the rain outside prevented me from covering the subject I had originally intended to do. We rarely get rain in Arizona!

Today’s Izzy Video picks up where last week’s leaves off. Once I have the video, how do I best export it for the web? I have experimented with many settings, and this is the one I like the best. There are many ways to do this. What you’ll see in this installment, is just one way.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

July 23, 2006

Izzy Video 38 - How I Do My Podcast

izzyvideo38

I received many requests for this particular topic. I realize that there are plenty of “how to make a podcast” type of articles out there, so it probably doesn’t make sense to add another one.

I couldn’t resist. Making a podcast is easy, and this ten minute video will show you exactly how I do it. You can use the same process if you want, although there are many alternative ways to accomplish the same thing.

This is the type of tutorial I recommend you view a couple times. Maybe watch it once all the way through, and then a second time, pausing as you go, so you can actually do the different steps described inside.

It’s a little technical, so I hope you enjoy it.

You can get Izzy Video 38 here.

Links:
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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

July 19, 2006

Izzy Video Delayed

I thought I’d be able to get something out this week, but it looks like my schedule is a little crammed for it.

This coming weekend should bring a new installment of Izzy Video. Sorry about the wait.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

July 8, 2006

Izzy Video 37 - Machinima

izzyvideo37

Izzy Video 37 is a quick introduction to machinima. If you don’t know what machinima is, don’t worry. You’re not alone. It’s pretty cutting-edge stuff right now. For film-makers it offers the chance to have a moving story-board. Or you can create your whole film there.

See what I’m talking about in Izzy Video 37.

I used my favorite Brother Love song again in this podcast, courtesy of music.podshow.com.

I know Izzy Video 37 isn’t going to be for everyone, but I’m sure some of you might be interested in creating narratives in this virtual world. To those of you who hate this one, I apologize, but I have to stray from the mainstream every once in a while.
:-)

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

July 3, 2006

Izzy Video 36 - Capturing Fireworks on Video

izzyvideo36

Special Izzy Video for tonight. Happy 4th of July, everyone!

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

Ten Steps to Becoming a Camcorder Pro via Cnet.co.uk

In an effort to become more of a DV resource than just the weekly (weekend) video podcast, I’ve decided to start doing some blogging during the week, especially when I find valuable DV-related resources.

This article from Cnet.co.uk is a great example of the types of resources available on the internet. Like most amateur videographers, I’m mostly self-taught, meaning that I’ve spent many hours on the internet, watching training videos, reading books, and absorbing information from almost any source I can find. Then I practice it, learn from my mistakes, and keep going. I imagine that’s the way most of us learn these days.

Regarding the article — While I’ve talked about most of the 10 steps recommended from Cnet, there are several in the list which I haven’t yet covered. Many of them are well discussed. They are certainly worthy of your time.

I’m not sure how effective making a mic boom out of a broom handle would be, but like many people, I have a limited budget, so if I can save a few bucks by using a broom handle and gaffer’s tape, then I’m willing to at least try.

Check out the article. There’s some interesting info inside.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

July 2, 2006

Izzy Video 35 - Creating the Ken Burns Effect in Final Cut Pro

izzyvideo35

After receiving several requests to show how to create the Ken Burns effect in Final Cut Pro, I thought I’d make a quick tutorial.

By the way, if you find these podcasts helpful, you might want to start checking the website more often, because I’m going to start doing some blogging between new Izzy Videos. My goal is to make this site become more of a resource — not just a show.

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All past Izzy Video tutorials are located in the membership area.
You can also watch free samples here.

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